Archive for the ‘Preaching Narratives’ Category

The exegesis of scene three enables us to make this Summary Statement: The solution to Hannah’s problem of barrenness is selfless prayer. The Summary Statement which is the meaning for the original audience will be converted into a Timeless Principle or meaning for our modern audience: Our solution for the barrenness of leadership is selfless [...]

Exegesis of scene two in 1 Samuel 1 equips us to make this the summary statement for scene two: The solution to Hannah’s barrenness is neither polygamy nor retaliation. This summary statement or meaning for the original audience will be converted to a timeless principle for our modern audience: The solution for the barrenness of [...]

An Exegetical Study of 1 Samuel 1:1-28 Plot and scenes examined Plot Each of the three major divisions of the plot, beginning, middle, and end, has its unique characteristics. Introduction of the characters and the conflict characterizes the beginning. This information is static and timeless and is presented with state of being verbs. Robert Alter [...]

Richard Pratt defines scenes in a Biblical narrative  “as batches of closely related circumstances, actions, and characters that form the basic building blocks of Old Testament stories.”[1]   But how to identify those scenes is our present task. Identifying scenes in narratives is important because once you have identified the scenes then you can summarize what each [...]

The final literary device used by the writer of narratives that needs to be appreciated by the interpreter and preacher of narratives is dialogue. The importance of dialogue is stated by Alter: “Narration is thus often relegated to the role of confirming assertions made in dialogue–occasionally, as here, with an explanatory gloss” (Alter, The Art [...]

The characterization of the “star” and “co-star” of the Biblical story is the next literary device used by the narrator that the preacher of narratives must understand to interpret and preach narratives. The shaping of characters The authors of narratives shape their characters not by falsely presenting facts about the characters but by selecting what they [...]

In addition to the literary characteristics called point of view and narrative the preacher of narratives needs to understand the plot and scenes in a narrative. Understanding plot not only helps the reader of narratives but the preacher. Paul Borden was asked “How do you remember when you preach without notes?” He answered: “First, I [...]

“A storyteller’s perspective determines how listeners experience and understand a story. Robert Fulgham offers a hilarious example about his neighbor’s encounter with a spider web. Here is the scene from Fulgham’s perspective, just as he saw it happen: This is my neighbor. Nice lady. Coming out her front door, on her way to work and [...]

Previously in Part 1, we discussed preaching narratives with variety by using the three deductive sermons with either the demand, declaration, or question proposition. In this post, we will consider six inductive narrative styles and the also the inductive/deductive narrative style to add variety to your narrative preaching. First, the two categories of inductive preaching [...]

A preacher’s work is only half complete when his hermeneutical work is finished. Now he must make the journey from exegesis to exposition, “The great preaching stylists (such as Edwards, Barnhouse, Swindoll) have all worked as hard on presentation as they have on exegesis.”[1] Three general sermon styles Ten different narrative sermon styles will fall [...]