Posts Tagged ‘Fokkelman’s Narrative Art and Poetry in the Books of Samuel’

The exegesis of scene six in 1 Samuel 1:21-23 enables us to make this Summary Statement: Will Hannah give Samuel to the Lord as vowed? The Summary Statement which is the meaning for the original audience will be converted into a Timeless Principle or meaning for our modern audience: Will we give our best to God back to God? when He answers prayers?

Scene six

If the story in 1 Samuel 1 were a simple plot, then the narrative would quickly come to its conclusion because the conflict has been solved. Barren Hannah has given birth to her son. But the story is not a simple plot; it is a complex plot with scene six introducing the turning point or new conflict which must be solved before the plot can end. There is a location change in v.21 which helps to identify the new scene. Elkanah’s intention in v.21 is to immediately take Samuel to the house of the LORD in Shiloh (location change) and present him for full-time service as Hannah vowed in v.11 However, Hannah had other plans as expressed in the first of two dialogues.  Hannah is not going to take Samuel to Shiloh until she has weaned him. The word “wean” is used three times in scene six and once in scene seven and is the focus of the conflict. According to 2nd Maccabees 7:27, breast feeding could take three years. “O my son, have pity upon me that bare thee nine months in my womb, and gave thee suck three years, and nourished thee, and brought thee up unto this age, and endured the troubles of education,”[9] pleads the mother in 2nd Maccabees for her son not to renounce his faith before Antiochus. Once Hannah’s son is weaned, she will take Samuel to the house of the LORD for full-time service where he will “there abide for ever.”

The new conflict arises because Elkanah thinks Hannah is selfishly postponing the service of her son because she does not intend to ever present him to the LORD. In the second dialogue of the scene six, Elkanah uses a word from the time of Judges. Elkanah says to Hannah, “Do what is good in your eyes .” That phrase is used in Judges 17:6 and 21:25 to describe the moral and religious selfishness that characterized Israel at her lowest point. Elkanah compares the selfishness of Hannah to the selfishness of morally and religiously apostate Israel.  Whereas Hannah stresses keeping Samuel until he is weaned so she can bring him to the LORD and  “there” he would remain for ever in service to the LORD; Elkanah sees Hannah allowing Samuel to tarry (here) at home. Both view the same event, weaning, differently. The conflict is whether Hannah is going to keep her part of the vow made back in v.11. Hannah is not postponing presenting Samuel for full-time service but rather, Hannah is preparing Samuel for full-time service. “Hannah has chosen to lay the foundations of Samuel’s life herself by protecting the most intimate and physical phase of the mother-child relationship and by keeping him with her. Before the child removes to the temple, he can enjoy the oral phases at home, close to his loving mother, who thus vouches for a substantial basis to the development of his personality,”[10] observed Fokkelman. J.Carl Laney agrees: “The word translated ‘weaned’ literally means ‘dealt fully with’ and may include the idea of spiritual training as well. It may well be that Samuel learned of the importance of prayer from this godly mother at a very young age and thus became a great prophet of prayer.”[11] The summary statement for scene six is a question: Is Hannah postponing or preparing her son for the full-time service ?

[9] Manuel Komroff, ed., The Apocrypha (New York: Tudor, 1937), 327.

[10]Fokkelman, Narrative Art and Poetry in the Books of Samuel, 65.

[11]Laney, Carl L. First and Second Samuel, (Chicago: Moody, 1982), 19.


Exegesis of scene two in 1 Samuel 1 equips us to make this the summary statement for scene two: The solution to Hannah’s barrenness is neither polygamy nor retaliation. This summary statement or meaning for the original audience will be converted to a timeless principle for our modern audience: The solution for the barrenness of leadership is not compromise nor retaliation.

Scene two

Scene two begins the repetitive part of narrative introductions in grand style in verse three. Fokkelman highlights this literary characteristic of narratives: “The heavily-laden line 3a introduces, also being the first to do so, a time adjunct, the ‘annual,’ which quickly secures the iterativeness of the exposition and whose form in itself, demands attention.”[4] Being the longest sentence in chapter one, verse 3a provides the repetitive background for the story. “And this man went up out of his city yearly to worship and to sacrifice unto the LORD of hosts in Shiloh.” This habitual action of Elkanah shows him to be a devout worshiper of the Lord.

There are two conflicts or attacks directed at Hannah in scene two, and she properly and habitually responds to both attacks revealing her righteous character. The first conflict is displayed in two chiasms.

The first conflict is now explicitly revealed by two chiasms which will be outlined and then explained. The first chiasmus reveals the source of the conflict: The barrenness of Hannah.

The outline of the chiasmus:

4b Elkanah gave to Peninnah his wife and all her sons and daughter, portions

5a And to Hannah he gave one portion

5b Because he loved her  

5c And the LORD had shut her womb

The explanation of the chiasmus:

4b Elkanah gave to his wife and all her sons and daughter, portions.

This first line amplified 2d “Peninnah had children”

5a And to Hannah he gave one portion.

To his number one wife, Elkanah gave a number one portion

5b Because he loved her

Elkanah loved Hannah unconditionally as the next line indicates

5c And the LORD had shut her womb

This is “an independent clause in terms of Hebrew syntax,”[5] notes Fokkelman, and is a statement that Hannah’s barrenness was a result of divine providence.

As the first line amplified 2d in regard to Peninnah’s children, the final line of the first chiasmus enlarges on 2e and draws the contrast that led to the conflict. “Hannah had no children.”

The next chiasmus reveals the iterativeness of the conflict: Peninnah habitually provoked Hannah.

The outline of the chiasmus:

6a Her adversary provoked her sore, for to make her fret

6b Because the LORD had shut up her womb

            7a As he did so year by year

7b When she went up to the house of the LORD, so she provoked her

6a Her adversary provoked her sore, for to make her fret.

The explanation of the chiasmus:

6a Her adversary provoked her sore, for to make her fret

Peninnah attacks Hannah because she is jealous. Narratives show the sinfulness of polygamy and other sins, not by explicitly condemning them, but by showing the adverse consequences of such sins.

6b Because the LORD had shut up her womb.

Unlike the first reference to the LORD shutting her womb which was an independent clause and started with the waw consecutive, this clause starts with the preposition “because”. So what was divine providence in verse five has become divine punishment in verse six according to Peninnah.

7a As he did so year by year

Not only did Elkanah habitually go to the house of LORD to worship, but Pininnah habitually provoke Hannah at the house of the LORD.

7b When she went up to the house of the LORD, so she provoked her

Not only did Elkanah habitually worship the LORD, and Peninnah iteratively provoked Hannah, but Hannah repeatedly and righteously responded. “Therefore she wept, and did not eat.” Hannah did not retaliate against the attacks of Peninnah.

The second scene comes to a close with the second attack on Hannah. The attack is heard in the first dialogue of the story and comes from Hannah’s husband. Elkanah’s dialogue has four rhetorical questions. The first three questions all begin with the interrogative “why”. Elkanah knew why Hannah was weeping and not eating. The third question asked of Hannah was, “Why is your heart so grieved?” Here is how McCarter translates the question: “Why are you so resentful” and then adds, see “Deut. 15:10, where a begrudging attitude is implied.”[6] The last question does not begin with “why” and is what Fokkelman calls “the punchline.”[7] This last question reveals that Elkanah knew what was troubling Hannah. She has no sons. It also discloses that Elkanah is not comforting but rebuking his barren wife. The focus of the last question is not Hannah but Elkanah: “Am not I.” In this question, Elkanah is feeling sorry, not for his grieving and barren wife, but for himself, because he has a grieving wife who can not give him a future posterity that matches his impressive genealogy which is so proudly listed in verse one. Like Peninnah and Job’s miserable comforters, Elkanah only adds misery to Hannah’s grief.

Again, in this iterative part of the introduction, Hannah does not retaliate but righteously responds. The iterative part of the introduction has revealed the habitual actions of the main characters and, thus, has disclosed their character. Elkanah and Peninnah habitually attack Hannah, and Hannah habitually responds righteously. The summary statement for scene two: The solution to Hannah’s barrenness is neither polygamy nor retaliation.

[4]Fokkelman, Narrative Art and Poetry in the Books of Samuel, 18.

[5]Ibid., 23.

[6]McCarter, P. Kyle. The Anchor Bible. 1 Samuel: A New Translation with Introduction, Notes and Commentary (Garden City: Doubleday, 1980), 53